April is the cruelest month, breeding
thesis statements from all-nighters, mixing
keggers and study groups…
Oh, whoops! Sorry, T.S. Eliot. ’Tis the nearing conclusion of spring semester that makes me so digress. It also makes this month’s The Poets That You Meet a wee bit on the short side. But first, a few announcements…
- The Poets That You Meet will now appear on the first Wednesday of every month. I am excited for some great upcoming posts, including guest blogger James Duncan’s discussion of his beautiful poem “Last Appointment of the Day”; Kate Garrett’s analysis of her poem about lesbian pirates; and an interview, about the poetics of wine-making, with a talented vintner in Northern California. Do I know all the interesting people or what?
- Also, on the first Wednesday of the month, I plan to publish a new installment of Online Enlightenment. This month, the talented Heather Akers shares her sunset photo and a meditation on light.
- Well, I’m no Jenna Marbles, but I have recently started a YouTube channel with some videos of me reading at different poetry events. Click here, if you dare disturb the universe…dang it, Eliot, get out of my head—I have a blog to write!
Anyway…on with the show (and no talking of Michelangelo)!
Recently, I watched an episode of Bob’s Burgers, an adult cartoon about a family who struggles to maintain their burger restaurant, above which they live. One of the daughters, Louise, a sarcastic evil genius, falls hopelessly in lust with the teenage pop sensation Boo Boo, from the band Boyz4Now. As she enters a contest to ride on a “grown up roller coaster” with him, she gazes into his boyish face on the computer screen and exclaims, “I’m going to ride a roller coaster with you Boo Boo, you disgusting, beautiful, garbage angel!”
This scene reminded me of some advice I received from Barbara Anderson, when I took her poetry class in graduate school. She told us that, to add tension in language, poets should “juxtapose beautiful imagery or language with MTV street slang.” I haven’t watched MTV in years, but I believe what she meant was that one should contrast the elevated with the crude. I think of Tony Hoagland’s book, Donkey Gospel, and in particular, his poem, “Dickhead.” The adult speaker opens the poem with a reflection on his survival of adolescence: “To whomever taught me the word dickhead, / I owe a debt of thanks. / It gave me a way of being in the world of men / when I most needed one.” He goes on to explain that “back in the world of men, / when everything was…scary, / hairier and bigger than I was” that using the word dickhead became “a song that meant the world / was yours enough at least / to bang on like a garbage can.”
I think it’s interesting the way Hoagland transforms a crude word with humor and graceful language: “…and having that / beautiful ugliness always / cocked and loaded in my mind, / protected me and calmed me like a psalm.” Of course, I love the pun, but I also like the juxtaposition of “beautiful ugliness” and the likening of swearing to the comfort of a psalm.
Well, I think it was fun, last month, to include a writing prompt at the end of my post. If you are so inclined, include (in the comments below) a poem that you wrote (or a stanza or two) that juxtaposes a version of “beautiful language or images with MTV street slang.”
Until May, dear readers!
Photo Credit: https://pbs.twimg.com/media/CLBWWsbVEAAD_jP.jpg